‘The goal was to weave “a touch of Georgian” into every room’ - this 18th-century townhouse has been ushered into the modern day while preserving its historic charm

From repairing original features to restoring a historic wine cellar, the impressive transformation of this 18th-century townhouse in London was steered by a desire to maintain its period character

Published Date:
10 September 2026

A period living room with a white sofa and two deep teal armchairs surrounding a grey check ottoman, all atop a traditional patterned teal rug. The panelled walls are painted a rich teal. A large traditional bookcase sits against the far wall
A sofa and pair of Emma armchairs encircle an Emma ottoman covered in Johnstons of Elgin Tain fabric in the drawing room, all by George Smith. The artwork attributed to the Circle of Jonathan Richardson the Elder was sourced by Cramer & Bell | Photo credit: Simon Brown

Often, one of the most difficult parts of searching for a new home is being able to imagine oneself actually living in it.

From room layouts that don’t quite suit your lifestyle to interior design styles that just feel a little off, it can be tricky to look past the temporary elements to see the bones underneath.

However, that was not the case for Sophie and Richard Chandler when they first laid eyes on this Grade I listed, Georgian townhouse. ‘It was love at first sight. The previous owners spoke about watching the seasons change from the windows and we immediately imagined doing the same,’ says Sophie.

A large panelled entrance hall with light blue walls. In the centre is a circular table and dining chairs on top a sisal rug with a blue border. Sash windows are paired with striped blinds and built-in window seats. To the left is a large sideboard
The generous proportions of the entrance hall have been maximised with a Titchmarsh & Goodwin table and a set of Beauworth chairs by Vaughan Designs. The statement Convex lantern is by Jamp, while the Oriental Topaz sisal rug is from Crucial Trading | Photo credit: Simon Brown

The house in question sits in south-west London, an area the Chandlers and their three children have always felt rooted in. ‘We lived in a Victorian semi-detached near Kew Gardens, which was perfect when we first married, but we wanted a home that could evolve with us - somewhere spacious enough for our growing teenagers and with room for Richard and I to each have a dedicated workspace,’ explains Sophie.

A wide galley kitchen with cabinets and open shelves in the foreground, encompassing a cooker and butler sink, while in the background is a circular table paired with dining chairs and built-in banquette seating in front of large windows
The Neptune kitchen cabinets have been painted in a mix of the brand’s own Dove Grey and Farrow & Ball’s Treron. A Goodman pendant from Visual Comfort hangs above the bespoke table | Photo credit: Simon Brown

Having acquired the property in 2022, the family appointed interior design studio Sims Hilditch to complete a light decoration. ‘I’d admired their work for years in magazines - that calm elegance really resonated with me,’ says Sophie.

However, it soon became apparent that much more extensive work was required, which was the point at which Sims Hilditch called upon classical architecture specialist, ADAM Architecture, to guide the sensitive restoration.

A snug with a patterned classic armchair, white sofa and striped large ottoman on top of a blue rug. In the background, built-in bookcases with arched tops line the back wall, next to a marble surround fireplace and large circular mirror
A Neptune rug anchors the seating area in the family room, with a bespoke Ben Whistler ottoman in the centre. The sofa and armchair, both George Smith, are upholstered in Neptune’s Clara linen and Carolina Irving Textile’s Andaluz fabric respectively | Photo credit: Simon Brown

‘There were serious structural challenges, including inadequate support to the rear of the top floor, so that was one of the first things to be addressed,’ recalls Sophie. ‘From there, the entire place was rewired and replumbed, with all the services consolidated and discreetly tucked away.’

Original features including sash windows and historic panelling were repaired, and missing elements such as ceiling roses were replaced, all using traditional materials and time-honoured techniques for an authentic finish.

A home office with panelled walls painted off white, with a wooden desk and upholstered curved armchair. Behind sits a small circular table and two dining chairs. A long, glass-paned sideboard sits against the far wall with a circular mirror hanging above
Blinds in Schumacher’s Campagne fabric and Winston chairs from the Dining Chair Company covered in Raindrops by Chelsea Textiles add pattern to this study. The desk is from Titchmarsh & Goodwin. Artworks by Albarran Cavrera, sourced via Cramer & Bell | Photo credit: Simon Brown

Despite the family moving out during the works, Sophie was intent on remaining ‘deeply involved in the process - from researching the house’s origins in the National Archives to studying the natural light throughout the day - and learning from experts who truly understand historic restoration.’

Working closely with Historic England and a local conservation officer meant everything was completed to exacting standards, which resulted in a year of heritage planning and design followed by the actual restoration which took yet another year. ‘It was a painstaking process at times, but ultimately, that attention to detail has preserved the character of the house while allowing it to work for modern life,’ she adds.

A wine cellar with white painted brick walls and arched ceiling and stone floor. A large barrel, topped with a wine bottle and stem glasses, is paired with industrial-style stools in the foreground
There is a rustic charm to the wine cellar, with its stone floor, barrel table and wooden textures throughout | Photo credit: Simon Brown

An especially intriguing part of the project came in the form of the wine cellar. As one of the most historic and protected areas, particular care was required when it came to restoring it. ‘Every decision was made with sensitivity to its original fabric, ensuring it remained authentic while still serving a practical purpose today,’ explains Sophie.

With the foundations reinforced, attention turned to the layout. The ground floor was thoughtfully reconfigured to create a sense of flow and bring definition to each individual space, and fortunately, planning permission was also granted for the upper and lower levels. ‘The children’s floor was adapted to better suit family life, and the once-underused lower ground floor now houses the wine cellar, guest accommodation, and a utility and boot room,’ Sophie adds.

A grey panelled stairway with a striped runner on the stairs and wooden floorboards in the hall. A bobbin bench sits to the left and a large lantern-style pendant hangs above
A duo of Farrow & Ball colours have been used in the hallway. School House White on the walls and Drop Cloth on the panelling. The bobbin bench was made bespoke | Photo credit: Simon Brown

The Chandlers’ brief was one of many contrasts: a country house feel in a London setting; honouring the house’s heritage while fostering an environment for modern living; and, a comfortable atmosphere for everyday life but with a sense of occasion for entertaining. The Sims Hilditch team’s extensive knowledge and varied experience, having worked across projects ranging from country estates to city retreats, was key to successfully navigating this complex brief.

A blue-green painted bedroom with a white four-poster bed, decorated with floral cushions and a white patterned quilt, a rattan storage bench at the end of the bed, a rattan flower-style pendant and neutral pleated curtains
A nature-inspired scheme fills this bedroom, including walls in Farrow & Ball’s Cromarty and floral motifs in the form of embroidered cushions, an artwork by Yoko Akino, sourced with Cramer & Bell, and the flower-shaped pendant | Photo credit: Simon Brown

Looking around the decoratively layered interiors, it is clear the house’s provenance has guided each and every decision of the redecoration. ‘The goal was to weave “a touch of Georgian” into every room, whether through furniture, lighting or small details,’ says Sophie. One such example is the gentle palette of greens, blues and creams that now infuses the home with a sense of tranquility, a palette Sophie describes as ‘"Organic Georgian” - colours with a modern country aesthetic layered with period charm.’

A large bathroom with upper half of walls painted in neutral and lower half with tongue-and-groove panelling. A double vanity unit and freestanding tub sit to the left and a built-in glass shower to the right
An existing bath was refreshed with a coat of paint, Farrow & Ball’s Inchyra Blue, and the Drummonds shower was already installed too. The blinds are made in Lewis & Wood’s Voysey Park fabric in Cluny | Photo credit: Simon Brown

A well-curated mix of old and new brings a timeless, lived-in feel to the interiors. ‘We brought a few treasured family pieces with us and were lucky that the previous owners left a handful of items that suited the house beautifully,’ explains Sophie. In addition to this, a collection of newly-sourced antiques and refined pieces from leading British design houses have been effortlessly incorporated.

A light blue-grey bedroom with a rattan double bed, decorated with a quilted white bedcover, pink throw and dainty floral cushions, large bedside tables with drawers, topped with table lamps with pleated pink shades, a storage bench and floral curtains
Curtains in Willow Sage and Driftwood Grey on Stone linen by Peony & Sage tie in with the scalloped quilted bedcover and floral cushions. Small Bureau bedside tables in Provence White by Chelsea Textiles add a Gustavian-inspired twist | Photo credit: Simon Brown

Another key component for the Chandlers was to have rooms that accommodated their passion for entertaining. ‘From the start, I wanted the house and garden to feel welcoming for guests and family alike - somewhere people would want to linger,’ says Sophie. As such, considered touches have been woven into the schemes, for example, a cocktail trolley for hosting drinks in the drawing room, comfortable garden furniture to ensure summer soirees could continue long into the evening and a guest bedroom with a walk-in shower.

A neutral bedroom with a double bed, with a pink striped headboard, floral cushions and brown throw, neutral curtains, a bench at the end of the bed and neutral bedside tables topped with a table lamp and flowers. A sculptural leafy pendant light is above
The bespoke headboard covered in Fermoie’s York Stripe adds a pretty, feminine touch to this neutral bedroom scheme. The statement Coco Magnolia pendant is by Paolo Moschino and the large bedside tables are from Chelsea Textiles | Photo credit: Simon Brown

To bring a final decorative layer to the interiors, Sims Hilditch introduced Sophie and Richard to art consultancy Cramer & Bell. ‘They helped us pull together a collection that felt very personal - either of scenes local to the area, or referencing activities or places important to us,’ says Sophie. ‘Some of the pieces we already owned, but a number were newly sourced to suit the rooms and bring a cohesive feel throughout.’

Sophie can most frequently be found working or reading in her office, a space she truly cherishes. ‘It feels elegant and personal, with soft touches of pink and teal, cosy library lighting, a period desk and a suede club chair. It’s a quiet, feminine space that always feels like mine,’ she finishes.

A bathroom with a tongue-and-groove built-in bath to the left and a wooden washstand with a curved basin to the right. In the background is a shower area tiled with white metro tiles on the upper two thirds of the wall and green metro tiles on the lower
Neptune’s Chichester washstand, a design inspired by classic Georgian furniture, is the perfect choice for this bathroom | Photo credit: Simon Brown

It is a meticulous attention to detail and respect for history that have made this renovation such a success. Faced with a larger task than initially thought, Sophie and the teams at Sims Hilditch and ADAM Architecture have navigated extensive repairs and conservation requirements while preserving the house’s character and bringing it up to date for 21st-century living. From the beautiful Georgian-style kitchen, with its cap handles and butler sink, to the soothing palette of greens, blues and creams, it is a home that is as beautiful as it is practical.